The life of Jackie Robinson gets the treatment you’d expect in Warner Brothers’ perfectly serviceable biography. The chronicle is a suitable document of the first African American to play Major League Baseball (MLB) in the modern era. Director Brian Helgeland (Payback, A Knight’s Tale) beatific depiction of Jackie Robinson is befitting of how Disney handles their sports pictures. It’s reverent, didactic and compelling. However given the magnitude of Robinson’s breakthrough, I was expecting a bit more grit. Perhaps in the hands of a more contentious director, the action would have seemed more controversial. There’s a brief moment of that in one particular scene involving actor Alan Tudyk as Ben Chapman, the manager of the Phillies who vociferously opposed Robbins’s presence in MLB on the basis of his race. The scenes in which he taunts Robinson with racial epithets was even more disturbing than the many uses of the N-word in the movie Django Unchained. Perhaps that’s because this is a true story but also because of Robinson’s pacifist approach to the abuse that was forced on him. It’s is one of the few instances where you genuinely get a feel for the weight of his struggle.
42 is a polished biography. It’s got beautiful music, bright cinematography and is populated by some nice performances. Chadwick Boseman notably underplays Jackie Robinson in a way that doesn’t feel like he’s grasping for the Academy Award. He’s quite effective. As is Nicole Beharie who plays “the wife” but with an effervescence that made me want to see more of her in future films. Harrison Ford reminds us that he doesn’t always just phone it in. As Branch Rickey, the General Manager of the Brooklyn Dodgers that signs Robinson to the team, he is truly engaging. 42 hits all the dramatic notes you’d except in a memoir such as this. It’s not particularly deep or insightful, but it is inspiring. Robinson becomes more a symbol through which other people unleash their racial hatred against. I would’ve appreciated a little more detail in the script about the man himself. More vignettes involving his personality as well as his athletic accomplishments in the world of baseball would‘ve been welcome. The lesson appears to be talent and money speak louder than hate. 42 is an admirable addition to baseball pictures that dutifully dramatize the subject in a way that is both pleasant and entertaining.